MAHI-monoblokkene er de mindste Manley-monoblokke, de er kompakte og elegante og lette at indpasse i dit system. Chassisets konstruktion er identisk med de større SNAPPER, bare i miniformat. De leverer 40 watt i ultra-linear tilstand og 20 watt i triode. 1 x 12AT7EH indgangsrør, 1 x 12BH7EH driverrør og 4 x EL84 rør. EL84 har i en lang årrække været et af Manley’s favoritrør qua deres pålidelighed og langtidsholdbarhed. De betragtes som lillebroderen til de kraftigere og meget værdsatte EL34 rør – hurtige, såvel i bunden som i toppen. MAHI anvender det samme kredsløbsdesign og den samme transformer som den integrerede Stingray. Masser af bas og et svulstigt lydbillede, spækket med Manley’s karakteristiske energi og musikalitet. Og Mahi’erne vedbliver med at begejstre musikentusiaster og anmeldere rundt omkring. De har fået endnu en topanmeldelse på deres CV i det velansete tidsskrift Stereophile.
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Audiophile Audition
“…musical and naturally true to the music…there is a fullness and yet proportionately a correctness to the frequency spectrum with the Mahi’s. Highly recommended.”
Tone Publications
“It’s all about detail with the Mahis…still one of the most enjoyable pairs of tube amps going. I think I need a pair.”
Positive Feedback
“…the Manley Mahis produce some magical tube sound with the right accessories, and the construction appears to be faultless. They are a well made American product selling at a fair market price.
Hi Fi News
“I’ve never used Manley gear that didn’t impress me, and these veterans continue that tradition. Leaving aside the appeal of the Jumbo Shrimp’s no-nonsense approach and Mahi’s exceptional ‘tuneability’ and flexibility, the sound so cosseted the music, and so graced my resident DeVore speakers, that I didn’t want to let go of them. Please refrain from hate-mail, but even at £13k+ I have to call these bargains.”
Stereophile
“…the factor that sets them apart from most tube amps I’ve heard is their refusal to impose a personality, which we might also call an aesthetic, onto the music they reproduce…because of their sonically agnostic nature, the Mahis aced every genre of music I threw at them.”
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